Fantasy and the Fantastic I (Panel / In-Person)


Standing Session
Genres and Audiences / World Literatures and Comparative Studies

Kristin Noone (Irvine Valley College)
kris@****.com (Log-in to reveal)

Fantasy and the supernatural, broadly defined, shape many of the most popular contemporary narratives and universes—from Lord of the Rings to Game of Thrones, from World of Warcraft to The Witcher, from classical and medieval tales of monsters and dragons to the worlds of N.K. Jemisin, Terry Pratchett, Tracy Deonn, Nnedi Okorafor, and Ursula K. Le Guin. As a genre, fantasy engages with questions of rhetoric, identity, and power in multiple ways, across multiple media, subgenres, and cultural traditions; the enchantment of fantastic and supernatural narratives has cast a persistent and global spell. We welcome proposals both related to the conference theme, "Palimpsests: Memory and Oblivion," and those not related.
Fantasy and the supernatural, broadly defined, shape many of the most popular contemporary narratives and universes—from Lord of the Rings to Game of Thrones, from World of Warcraft to The Witcher, from classical and medieval tales of monsters and dragons to the worlds of N.K. Jemisin, Terry Pratchett, Tracy Deonn, Nnedi Okorafor, and Ursula K. Le Guin. As a genre, fantasy engages with questions of rhetoric, identity, and power in multiple ways, across multiple media, subgenres, and cultural traditions; the enchantment of fantastic and supernatural narratives has cast a persistent and global spell. We welcome proposals both related to the conference theme, "Palimpsests: Memory and Oblivion," and those not related.