Catherine Montfort (Santa Clara University)
cmon@****.com (Log-in to reveal)
French and Francophone authors and filmmakers have dealt with mothers from the seventeenth century onward, creating a plethora of material. Maternal dynamics have consistently served as a vital lens for exploring domestic, psychological, and cultural anxieties across different eras—from the intimate correspondence of Madame de Sévigné and the domestic critiques of Flaubert, to the twentieth- and twenty-first-century reflections of Simone de Beauvoir, Hervé Bazin, Amélie Nothomb, Marie Nimier, and Albert Cohen.
"Les mères en littérature et films francophones" seeks to gather scholars to interrogate the evolving spectrum of the maternal archetype. We invite papers that examine any aspect of the "loved mother" or the "hated mother," as well as the unique artistic aesthetics that arise when women write about motherhood from the inside out.
Possible topics may include, but are not limited to:
· The idealized vs. the monstrous mother in narrative and cinema.
· The maternal voice and the creative process (l'écriture féminine and the mother-writer).
· Psychoanalytic, feminist, and queer approaches to maternal relationships.
· Colonial and postcolonial motherhood in Francophone contexts.
· The mother as an agent or victim of societal power structures.
Proposals in French, English, or a combination of the two are welcome.